All Magic Movie

Healing effects always amaze audiences in a variety of situations. And now, so does HEAL, a new product from Smagic.

You let the spectator pick a random card or you could borrow a dollar bill from him. Then you tear the card (or bill) without detaching the torn portion.

With only a quick snap, it is restored – the tear is gone. A spectacular visual moment for any audience!

And just as special is the fact that the spectator can watch closely and carefully throughout the entire performance. Audiences are stunned!

Heal is very convincing, and is a “must-have” for your collection

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You can do this effects anywhere and anytime. Very visual effects. Normal box, No forcing, Signed cards.

No gimmick to make..
Easy to perform.

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Contact Juggling is the art of continuously manipulating an object or objects so that they are put into motion without being tossed into the air as in normal juggling. Without a doubt Contact Juggling is the most graceful form of the art. The fluid motions of the body cause the objects to take on a life of their own.

Matt Olsen is a master in the art of Contact Juggling. This four DVD set completely covers every aspect of Contact Juggling. Matt’s in-depth training will take you step by step from the very beginning up to the latest super advanced, cutting edge techniques.

Once you’ve mastered the basics it’s time to learn even more astounding tricks. The second volume of the series covers the Palm Spinning aspect of Contact Juggling. Palm Spinning happens in

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Magic’s Best Kept Secret

After nearly two decades of entertaining with magic, Dean again shares some of the finest material in his repertoire. He’s not only a superb close-up artist, but also a sought after teacher consultant and lecturer. He has taught such people as: David Copperfield and Johnny Carson, and has appeared on the “Tonight Show” with Johnny Carson. Dean now invites you to join him in his intimate world of coin magic volume set.

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One gun. One bullet. One hacked off finger in one bloodied envelope. One story your audience will NEVER forget!

Imagine every ingredient that makes a killer horror film being used to create an experience like no other.

Over four years in development to give your spectators the ultimate live horror experience!

With little more than three photos, one envelope, a letter and the unforgettable story of one of the most brutal murders of its time, Scream is like nothing you have performed before!

Susannah Cartwright was infamous for being the first female murderer of her kind. On the eve of her wedding, she found out her fiancé had a mistress. So once they were wed, she took his shot gun off the wall and whilst he drifted off to sleep, she fired one shot directly into his head.

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For several years Luke Jermay has been very influential in the world of modern magic and mentalism. His books have been applauded by critics and the effects he has published are now part of the repertoire of many professional mentalists worldwide. Luke Jermay was a consultant and designer for many magicians and mentalists on television such as Criss Angel and Derren Brown. Discover the work of Luke Jermay in real conditions with this double DVD which was made ??on the occasion of his coming conference in Paris in November 2013. You can follow in detail the explanations and all the intricacies of Luke are in English and subtitling in French. For more than 2:20, it introduces and explains many of his routines which make its reputation for years.

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Moves is a collection of 26 sleight-of-hand techniques with a deck of playing cards, taken directly from my personal arsenal of those that I love the most.

The thing I love about the general art of deceptive practices, is the execution of ‘Moves’ – particularly difficult and unusual ones.

This obsession has lead me to discover, create and develop techniques that apply to the rules of deception and magic by appearing invisible to the witness, but then also applying to what I love by appearing and feeling beautiful when executed… these are moves that are as much a pleasure to execute in practice as they are to achieve within close-up deceptions for onlookers.

In MOVES, I have encapsulated that which I consider to be my art – techniques that are as amazing when exposed and practiced as they are in performance.

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