Card Tricks

#5 Trade Secrets – Deceptive Card Control by Benjamin Earl

If you want to make the act of controlling a card to the top MUCH more deceptive, then this download is packed with expert touches, technique, and psychology to do just that-turning a very simple approach to control into something masterful. The best part is…only beginner skills are required!

Ben Earl has fooled Penn and Teller, amazed David Blaine, and is a world-renowned performer, creator, and teacher of magic. Now he wants to share his trade secrets with you. In this

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The Devilish Method is an impossible experiment designed in order to Fool Magicians.
With a borrowed deck, totally impromptu and without Gimmick! Really amazing!
Your mind will explode, a real mind blowing effect!
The spectator shuffles the deck and divides it into three packets. His choices are free. He takes any card from the central pile and loses the card in the packet. Finally, he reassembles the deck as he

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Zee is one of the most respected sleight-of-hand artists… In the world.

Last year he flew from China to New York to work with us on a few projects. The cameras never stopped rolling.

In the first of a series of downloads, Zee reveals his most requested secret; Randolph Palm.

Randolph Palm is a fast & discreet reverse palm of 1 card, 2 cards, or however many cards you want. Pure, unadulterated sleight-of-hand. 

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The Any Card at Any Number, or ACAAN, plot is a classic of modern-day magic. A card and a number are both named, and mysteriously the selected card is at that selected position in the deck.

Most ACAAN’s require difficult memorization work, expensive gaffed decks, or advanced sleight of hand. On this project you are going to learn three different versions, that are all completely impromptu and require no memorization.

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A spectator selects a card (for example, the Queen of Hearts). The performer requests that they sign the front and/or back. The card is placed on top of the deck still in the performer’s hand. A ‘magic card’, with 2, quarter sized holes, is produced and placed on top of selected card. The performer makes a cutting motion with their fingers over the card. Then as the ‘magic card’ is slid away from the deck, you can see through the holes, that the selected card has indeed been cut in half! The ‘magic card’ is returned to its original position restoring the selected card, which the spectator can inspect and keep as a souvenir.

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Yu Pass by Yu Hong

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